{"id":1313,"date":"2021-07-21T04:24:11","date_gmt":"2021-07-21T04:24:11","guid":{"rendered":"https:\/\/anthropological.cloud\/wau\/wcaa\/?page_id=1313"},"modified":"2021-07-22T01:00:37","modified_gmt":"2021-07-22T01:00:37","slug":"translations","status":"publish","type":"page","link":"https:\/\/waunet.org\/wcaa\/dejalu\/translations\/","title":{"rendered":"Translations"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1313\" class=\"elementor elementor-1313\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-90d04d6 animated-slow elementor-section-boxed elementor-section-height-default elementor-section-height-default elementor-invisible\" data-id=\"90d04d6\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;animation&quot;:&quot;fadeIn&quot;}\">\n\t\t\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7120374f\" data-id=\"7120374f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-613acc23 elementor-widget elementor-widget-spacer\" data-id=\"613acc23\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-a694fc0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a694fc0\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-dfe9d26\" data-id=\"dfe9d26\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-17de1ad elementor-widget elementor-widget-image\" data-id=\"17de1ad\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1\" height=\"1\" src=\"https:\/\/waunet.org\/wcaa\/wp-content\/uploads\/dejalu_logo.svg\" class=\"attachment-large size-large wp-image-1207\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-db02b82\" data-id=\"db02b82\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-309067f elementor-widget elementor-widget-heading\" data-id=\"309067f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">D\u00e9j\u00e0 Lu<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<div class=\"elementor-element elementor-element-85e8631 elementor-widget elementor-widget-spacer\" data-id=\"85e8631\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-f36f2df elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f36f2df\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-47bd82b\" data-id=\"47bd82b\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c4866fd elementor-widget elementor-widget-heading\" data-id=\"c4866fd\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Translations<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0eb0af5 elementor-align-center elementor-widget elementor-widget-button\" data-id=\"0eb0af5\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"http:\/\/www.waunet.org\/wcaa\/dejalu\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-icon\">\n\t\t\t\t<i aria-hidden=\"true\" class=\"far fa-list-alt\"><\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">View all Issues<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c559bb4 elementor-widget elementor-widget-spacer\" data-id=\"c559bb4\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<div class=\"elementor-element elementor-element-72d96bc2 elementor-widget elementor-widget-spacer\" data-id=\"72d96bc2\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-df44e28 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"df44e28\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-998c7a1\" data-id=\"998c7a1\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-00170cd elementor-widget elementor-widget-shortcode\" data-id=\"00170cd\" data-element_type=\"widget\" data-widget_type=\"shortcode.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-shortcode\"><style>\r\n\/*estilos bootstrap para la revista dejalu pasada*\/\r\n.collapse {\r\n  display: none;\r\n}\r\n.collapse.in {\r\n  display: block;\r\n}\r\ntr.collapse.in {\r\n  display: table-row;\r\n}\r\ntbody.collapse.in {\r\n  display: table-row-group;\r\n}\r\n.collapsing {\r\n  position: relative;\r\n  height: 0;\r\n  overflow: hidden;\r\n  -webkit-transition-property: height, visibility;\r\n  transition-property: height, visibility;\r\n  -webkit-transition-duration: 0.35s;\r\n  transition-duration: 0.35s;\r\n  -webkit-transition-timing-function: ease;\r\n  transition-timing-function: ease;\r\n}\r\n\r\n\r\n\r\n.panel {\r\n  margin-bottom: 20px;\r\n  background-color: #fff;\r\n  border: 1px solid transparent;\r\n  border-radius: 4px;\r\n  -webkit-box-shadow: 0 1px 1px rgba(0, 0, 0, .05);\r\n          box-shadow: 0 1px 1px rgba(0, 0, 0, .05);\r\n}\r\n.panel-body {\r\n  padding: 15px;\r\n}\r\n.panel-heading {\r\n  padding: 10px 15px;\r\n  border-bottom: 1px solid transparent;\r\n  border-top-left-radius: 3px;\r\n  border-top-right-radius: 3px;\r\n}\r\n.panel-heading > .dropdown .dropdown-toggle {\r\n  color: inherit;\r\n}\r\n.panel-title {\r\n  margin-top: 0;\r\n  margin-bottom: 0;\r\n  font-size: 16px;\r\n  color: inherit;\r\n}\r\n.panel-title > a,\r\n.panel-title > small,\r\n.panel-title > .small,\r\n.panel-title > small > a,\r\n.panel-title > .small > a {\r\n  color: inherit;\r\n}\r\n.panel-footer {\r\n  padding: 10px 15px;\r\n  background-color: #f5f5f5;\r\n  border-top: 1px solid #ddd;\r\n  border-bottom-right-radius: 3px;\r\n  border-bottom-left-radius: 3px;\r\n}\r\n.panel > .list-group,\r\n.panel > .panel-collapse > .list-group {\r\n  margin-bottom: 0;\r\n}\r\n.panel > .list-group .list-group-item,\r\n.panel > .panel-collapse > .list-group .list-group-item {\r\n  border-width: 1px 0;\r\n  border-radius: 0;\r\n}\r\n.panel > .list-group:first-child .list-group-item:first-child,\r\n.panel > .panel-collapse > .list-group:first-child .list-group-item:first-child {\r\n  border-top: 0;\r\n  border-top-left-radius: 3px;\r\n  border-top-right-radius: 3px;\r\n}\r\n.panel > .list-group:last-child .list-group-item:last-child,\r\n.panel > .panel-collapse > .list-group:last-child .list-group-item:last-child {\r\n  border-bottom: 0;\r\n  border-bottom-right-radius: 3px;\r\n  border-bottom-left-radius: 3px;\r\n}\r\n.panel > .panel-heading + .panel-collapse > .list-group .list-group-item:first-child {\r\n  border-top-left-radius: 0;\r\n  border-top-right-radius: 0;\r\n}\r\n.panel-heading + .list-group .list-group-item:first-child {\r\n  border-top-width: 0;\r\n}\r\n.list-group + .panel-footer {\r\n  border-top-width: 0;\r\n}\r\n.panel > .table,\r\n.panel > .table-responsive > .table,\r\n.panel > .panel-collapse > .table {\r\n  margin-bottom: 0;\r\n}\r\n.panel > .table caption,\r\n.panel > .table-responsive > .table caption,\r\n.panel > .panel-collapse > .table caption {\r\n  padding-right: 15px;\r\n  padding-left: 15px;\r\n}\r\n.panel > .table:first-child,\r\n.panel > .table-responsive:first-child > .table:first-child {\r\n  border-top-left-radius: 3px;\r\n  border-top-right-radius: 3px;\r\n}\r\n.panel > .table:first-child > thead:first-child > tr:first-child,\r\n.panel > .table-responsive:first-child > .table:first-child > thead:first-child > tr:first-child,\r\n.panel > .table:first-child > tbody:first-child > tr:first-child,\r\n.panel > .table-responsive:first-child > .table:first-child > tbody:first-child > tr:first-child {\r\n  border-top-left-radius: 3px;\r\n  border-top-right-radius: 3px;\r\n}\r\n.panel > .table:first-child > thead:first-child > tr:first-child td:first-child,\r\n.panel > .table-responsive:first-child > .table:first-child > thead:first-child > tr:first-child td:first-child,\r\n.panel > .table:first-child > tbody:first-child > tr:first-child td:first-child,\r\n.panel > .table-responsive:first-child > .table:first-child > tbody:first-child > tr:first-child td:first-child,\r\n.panel > .table:first-child > thead:first-child > tr:first-child th:first-child,\r\n.panel > .table-responsive:first-child > .table:first-child > thead:first-child > tr:first-child th:first-child,\r\n.panel > .table:first-child > tbody:first-child > tr:first-child th:first-child,\r\n.panel > .table-responsive:first-child > .table:first-child > tbody:first-child > tr:first-child th:first-child {\r\n  border-top-left-radius: 3px;\r\n}\r\n.panel > .table:first-child > thead:first-child > tr:first-child td:last-child,\r\n.panel > .table-responsive:first-child > .table:first-child > thead:first-child > tr:first-child td:last-child,\r\n.panel > .table:first-child > tbody:first-child > tr:first-child td:last-child,\r\n.panel > .table-responsive:first-child > .table:first-child > tbody:first-child > tr:first-child td:last-child,\r\n.panel > .table:first-child > thead:first-child > tr:first-child th:last-child,\r\n.panel > .table-responsive:first-child > .table:first-child > thead:first-child > tr:first-child th:last-child,\r\n.panel > .table:first-child > tbody:first-child > tr:first-child th:last-child,\r\n.panel > .table-responsive:first-child > .table:first-child > tbody:first-child > tr:first-child th:last-child {\r\n  border-top-right-radius: 3px;\r\n}\r\n.panel > .table:last-child,\r\n.panel > .table-responsive:last-child > .table:last-child {\r\n  border-bottom-right-radius: 3px;\r\n  border-bottom-left-radius: 3px;\r\n}\r\n.panel > .table:last-child > tbody:last-child > tr:last-child,\r\n.panel > .table-responsive:last-child > .table:last-child > tbody:last-child > tr:last-child,\r\n.panel > .table:last-child > tfoot:last-child > tr:last-child,\r\n.panel > .table-responsive:last-child > .table:last-child > tfoot:last-child > tr:last-child {\r\n  border-bottom-right-radius: 3px;\r\n  border-bottom-left-radius: 3px;\r\n}\r\n.panel > .table:last-child > tbody:last-child > tr:last-child td:first-child,\r\n.panel > .table-responsive:last-child > .table:last-child > tbody:last-child > tr:last-child td:first-child,\r\n.panel > .table:last-child > tfoot:last-child > tr:last-child td:first-child,\r\n.panel > .table-responsive:last-child > .table:last-child > tfoot:last-child > tr:last-child td:first-child,\r\n.panel > .table:last-child > tbody:last-child > tr:last-child th:first-child,\r\n.panel > .table-responsive:last-child > .table:last-child > tbody:last-child > tr:last-child th:first-child,\r\n.panel > .table:last-child > tfoot:last-child > tr:last-child th:first-child,\r\n.panel > .table-responsive:last-child > .table:last-child > tfoot:last-child > tr:last-child th:first-child {\r\n  border-bottom-left-radius: 3px;\r\n}\r\n.panel > .table:last-child > tbody:last-child > tr:last-child td:last-child,\r\n.panel > .table-responsive:last-child > .table:last-child > tbody:last-child > tr:last-child td:last-child,\r\n.panel > .table:last-child > tfoot:last-child > tr:last-child td:last-child,\r\n.panel > .table-responsive:last-child > .table:last-child > tfoot:last-child > tr:last-child td:last-child,\r\n.panel > .table:last-child > tbody:last-child > tr:last-child th:last-child,\r\n.panel > .table-responsive:last-child > .table:last-child > tbody:last-child > tr:last-child th:last-child,\r\n.panel > .table:last-child > tfoot:last-child > tr:last-child th:last-child,\r\n.panel > .table-responsive:last-child > .table:last-child > tfoot:last-child > tr:last-child th:last-child {\r\n  border-bottom-right-radius: 3px;\r\n}\r\n.panel > .panel-body + .table,\r\n.panel > .panel-body + .table-responsive,\r\n.panel > .table + .panel-body,\r\n.panel > .table-responsive + .panel-body {\r\n  border-top: 1px solid #ddd;\r\n}\r\n.panel > .table > tbody:first-child > tr:first-child th,\r\n.panel > .table > tbody:first-child > tr:first-child td {\r\n  border-top: 0;\r\n}\r\n.panel > .table-bordered,\r\n.panel > .table-responsive > .table-bordered {\r\n  border: 0;\r\n}\r\n.panel > .table-bordered > thead > tr > th:first-child,\r\n.panel > .table-responsive > .table-bordered > thead > tr > th:first-child,\r\n.panel > .table-bordered > tbody > tr > th:first-child,\r\n.panel > .table-responsive > .table-bordered > tbody > tr > th:first-child,\r\n.panel > .table-bordered > tfoot > tr > th:first-child,\r\n.panel > .table-responsive > .table-bordered > tfoot > tr > th:first-child,\r\n.panel > .table-bordered > thead > tr > td:first-child,\r\n.panel > .table-responsive > .table-bordered > thead > tr > td:first-child,\r\n.panel > .table-bordered > tbody > tr > td:first-child,\r\n.panel > .table-responsive > .table-bordered > tbody > tr > td:first-child,\r\n.panel > .table-bordered > tfoot > tr > td:first-child,\r\n.panel > .table-responsive > .table-bordered > tfoot > tr > td:first-child {\r\n  border-left: 0;\r\n}\r\n.panel > .table-bordered > thead > tr > th:last-child,\r\n.panel > .table-responsive > .table-bordered > thead > tr > th:last-child,\r\n.panel > .table-bordered > tbody > tr > th:last-child,\r\n.panel > .table-responsive > .table-bordered > tbody > tr > th:last-child,\r\n.panel > .table-bordered > tfoot > tr > th:last-child,\r\n.panel > .table-responsive > .table-bordered > tfoot > tr > th:last-child,\r\n.panel > .table-bordered > thead > tr > td:last-child,\r\n.panel > .table-responsive > .table-bordered > thead > tr > td:last-child,\r\n.panel > .table-bordered > tbody > tr > td:last-child,\r\n.panel > .table-responsive > .table-bordered > tbody > tr > td:last-child,\r\n.panel > .table-bordered > tfoot > tr > td:last-child,\r\n.panel > .table-responsive > .table-bordered > tfoot > tr > td:last-child {\r\n  border-right: 0;\r\n}\r\n.panel > .table-bordered > thead > tr:first-child > td,\r\n.panel > .table-responsive > .table-bordered > thead > tr:first-child > td,\r\n.panel > .table-bordered > tbody > tr:first-child > td,\r\n.panel > .table-responsive > .table-bordered > tbody > tr:first-child > td,\r\n.panel > .table-bordered > thead > tr:first-child > th,\r\n.panel > .table-responsive > .table-bordered > thead > tr:first-child > th,\r\n.panel > .table-bordered > tbody > tr:first-child > th,\r\n.panel > .table-responsive > .table-bordered > tbody > tr:first-child > th {\r\n  border-bottom: 0;\r\n}\r\n.panel > .table-bordered > tbody > tr:last-child > td,\r\n.panel > .table-responsive > .table-bordered > tbody > tr:last-child > td,\r\n.panel > .table-bordered > tfoot > tr:last-child > td,\r\n.panel > .table-responsive > .table-bordered > tfoot > tr:last-child > td,\r\n.panel > .table-bordered > tbody > tr:last-child > th,\r\n.panel > .table-responsive > .table-bordered > tbody > tr:last-child > th,\r\n.panel > .table-bordered > tfoot > tr:last-child > th,\r\n.panel > .table-responsive > .table-bordered > tfoot > tr:last-child > th {\r\n  border-bottom: 0;\r\n}\r\n.panel > .table-responsive {\r\n  margin-bottom: 0;\r\n  border: 0;\r\n}\r\n.panel-group {\r\n  margin-bottom: 20px;\r\n}\r\n.panel-group .panel {\r\n  margin-bottom: 0;\r\n  border-radius: 4px;\r\n}\r\n.panel-group .panel + .panel {\r\n  margin-top: 5px;\r\n}\r\n.panel-group .panel-heading {\r\n  border-bottom: 0;\r\n}\r\n.panel-group .panel-heading + .panel-collapse > .panel-body,\r\n.panel-group .panel-heading + .panel-collapse > .list-group {\r\n  border-top: 1px solid #ddd;\r\n}\r\n.panel-group .panel-footer {\r\n  border-top: 0;\r\n}\r\n.panel-group .panel-footer + .panel-collapse .panel-body {\r\n  border-bottom: 1px solid #ddd;\r\n}\r\n.panel-default {\r\n  border-color: #ddd;\r\n}\r\n.panel-default > .panel-heading {\r\n  color: #333;\r\n  background-color: #f5f5f5;\r\n  border-color: #ddd;\r\n}\r\n.panel-default > .panel-heading + .panel-collapse > .panel-body {\r\n  border-top-color: #ddd;\r\n}\r\n.panel-default > .panel-heading .badge {\r\n  color: #f5f5f5;\r\n  background-color: #333;\r\n}\r\n.panel-default > .panel-footer + .panel-collapse > .panel-body {\r\n  border-bottom-color: #ddd;\r\n}\r\n.panel-primary {\r\n  border-color: #337ab7;\r\n}\r\n.panel-primary > .panel-heading {\r\n  color: #fff;\r\n  background-color: #337ab7;\r\n  border-color: #337ab7;\r\n}\r\n.panel-primary > .panel-heading + .panel-collapse > .panel-body {\r\n  border-top-color: #337ab7;\r\n}\r\n.panel-primary > .panel-heading .badge {\r\n  color: #337ab7;\r\n  background-color: #fff;\r\n}\r\n.panel-primary > .panel-footer + .panel-collapse > .panel-body {\r\n  border-bottom-color: #337ab7;\r\n}\r\n.panel-success {\r\n  border-color: #d6e9c6;\r\n}\r\n.panel-success > .panel-heading {\r\n  color: #3c763d;\r\n  background-color: #dff0d8;\r\n  border-color: #d6e9c6;\r\n}\r\n.panel-success > .panel-heading + .panel-collapse > .panel-body {\r\n  border-top-color: #d6e9c6;\r\n}\r\n.panel-success > .panel-heading .badge {\r\n  color: #dff0d8;\r\n  background-color: #3c763d;\r\n}\r\n.panel-success > .panel-footer + .panel-collapse > .panel-body {\r\n  border-bottom-color: #d6e9c6;\r\n}\r\n.panel-info {\r\n  border-color: #bce8f1;\r\n}\r\n.panel-info > .panel-heading {\r\n  color: #31708f;\r\n  background-color: #d9edf7;\r\n  border-color: #bce8f1;\r\n}\r\n.panel-info > .panel-heading + .panel-collapse > .panel-body {\r\n  border-top-color: #bce8f1;\r\n}\r\n.panel-info > .panel-heading .badge {\r\n  color: #d9edf7;\r\n  background-color: #31708f;\r\n}\r\n.panel-info > .panel-footer + .panel-collapse > .panel-body {\r\n  border-bottom-color: #bce8f1;\r\n}\r\n.panel-warning {\r\n  border-color: #faebcc;\r\n}\r\n.panel-warning > .panel-heading {\r\n  color: #8a6d3b;\r\n  background-color: #fcf8e3;\r\n  border-color: #faebcc;\r\n}\r\n.panel-warning > .panel-heading + .panel-collapse > .panel-body {\r\n  border-top-color: #faebcc;\r\n}\r\n.panel-warning > .panel-heading .badge {\r\n  color: #fcf8e3;\r\n  background-color: #8a6d3b;\r\n}\r\n.panel-warning > .panel-footer + .panel-collapse > .panel-body {\r\n  border-bottom-color: #faebcc;\r\n}\r\n.panel-danger {\r\n  border-color: #ebccd1;\r\n}\r\n.panel-danger > .panel-heading {\r\n  color: #a94442;\r\n  background-color: #f2dede;\r\n  border-color: #ebccd1;\r\n}\r\n.panel-danger > .panel-heading + .panel-collapse > .panel-body {\r\n  border-top-color: #ebccd1;\r\n}\r\n.panel-danger > .panel-heading .badge {\r\n  color: #f2dede;\r\n  background-color: #a94442;\r\n}\r\n.panel-danger > .panel-footer + .panel-collapse > .panel-body {\r\n  border-bottom-color: #ebccd1;\r\n}\r\n\r\n.elementor-element-df44e28{\r\n    background: #EFEFEF;\r\n}\r\n\r\n\r\n\r\n\/*estilos para los articulos*\/\r\n\r\n.article {\r\n    background: white;\r\n    color: #383838;\r\n    border-radius: 3px;\r\n    display: flex;\r\n    flex-wrap: wrap;\r\n    margin: 30px auto;\r\n    padding: 20px 15px;\r\n    width: 100%;\r\n    transition: background-color 0.2s ease-in-out, box-shadow 0.2s ease-in-out;\r\n}\r\n\r\n\r\n\t.article > a:first-child {\r\n\t\tpadding: 0 15px 15px;\r\n\t\tflex: 0 0 auto;\r\n\t\twidth: 100%;\r\n\t\ttext-align: center;\r\n\t}\r\n\t.article a img {\r\n\t\theight: auto;\r\n\t\tmax-width: 100%;\r\n\t\tmargin: 0 auto;\r\n\t\ttransition: transform 0.3s ease-in-out;\r\n\t}\r\n\t.article a:hover img {\r\n\t\ttransform: scale(1.03);\r\n\t}\r\n\r\n\t.article .article-content > p {\r\n\t\tmargin-bottom: 0;\r\n\t\tpadding: 0 15px 15px;\r\n\t}\r\n\t.article .article-content > p:first-child {\r\n\t\tpadding: 0 15px 15px;\r\n\t}\r\n\t.article .article-content p.keywords {\r\n\t\tfont-style: italic;\r\n\t\tfont-size: 0.9em;\r\n\t}\r\n\t.article .article-menu {\r\n\t\tpadding: 0 15px;\r\n\t}\r\n\t.article .article-menu + p {\r\n\t\tpadding: 0 15px 15px;\r\n\t}\r\n\t.article .btn-group {\r\n\t\tmargin-bottom: 10px;\r\n\t}\r\n\t.article .btn-group button {\r\n\t\twidth: 100%;\r\n\t}\r\n\t.article a,\r\n\t.isarticlesue button,\r\n\t#main .isarticlesue .btn [class~=\"fa\"] {\r\n\t\ttransition: 0.2s ease-in-out;\r\n\t}\r\n\t.article button:hover,\r\n\t.article .btn:hover {\r\n\t\tbackground: #23527c;\r\n\t\tcolor: #fff;\r\n\t}\r\n\t#main .article .btn:hover .caret {\r\n\t\tborder-top-color: #fff;\r\n\t}\r\n\r\n\t@media only screen and (min-width: 414px) {\r\n\t\t.article .btn-group .btn {\r\n\t\t\twidth: auto;\r\n\t\t}\r\n\t}\r\n\t@media only screen and (min-width: 768px) {\r\n\t\t.article {\r\n\t\t\tflex-wrap: nowrap;\r\n\t\t\tpadding: 20px;\r\n\t\t}\r\n\t\t.article > a:first-child {\r\n\t\t\t\/* padding: 20px; *\/\r\n\t\t\twidth: 25%;\r\n\t\t}\r\n\t\t.article a img {\r\n\t\t\tmax-width: 150px;\r\n\t\t}\r\n\t\t.article .article-content > p {\r\n\t\t\t\/* padding: 20px; *\/\r\n\t\t}\r\n\t\t.article .article-menu {\r\n\t\t\t\/* padding: 0 20px; *\/\r\n\t\t}\r\n\t\t.article .btn-group .btn {\r\n\t\t\twidth: auto;\r\n\t\t}\r\n\t\t.article .article-menu + p {\r\n\t\t\t\/* padding: 20px; *\/\r\n\t\t}\r\n\t}\r\n\r\n\/*btn groups*\/\r\n.btn-group,\r\n.btn-group-vertical {\r\n  position: relative;\r\n  display: inline-block;\r\n  vertical-align: middle;\r\n}\r\n.btn-group > .btn,\r\n.btn-group-vertical > .btn {\r\n  position: relative;\r\n  float: left;\r\n}\r\n.btn-group > .btn:hover,\r\n.btn-group-vertical > .btn:hover,\r\n.btn-group > .btn:focus,\r\n.btn-group-vertical > .btn:focus,\r\n.btn-group > .btn:active,\r\n.btn-group-vertical > .btn:active,\r\n.btn-group > .btn.active,\r\n.btn-group-vertical > .btn.active {\r\n  z-index: 2;\r\n}\r\n.btn-group .btn + .btn,\r\n.btn-group .btn + .btn-group,\r\n.btn-group .btn-group + .btn,\r\n.btn-group .btn-group + .btn-group {\r\n  margin-left: -1px;\r\n}\r\n.btn-toolbar {\r\n  margin-left: -5px;\r\n}\r\n.btn-toolbar .btn,\r\n.btn-toolbar .btn-group,\r\n.btn-toolbar .input-group {\r\n  float: left;\r\n}\r\n.btn-toolbar > .btn,\r\n.btn-toolbar > .btn-group,\r\n.btn-toolbar > .input-group {\r\n  margin-left: 5px;\r\n}\r\n.btn-group > .btn:not(:first-child):not(:last-child):not(.dropdown-toggle) {\r\n  border-radius: 0;\r\n}\r\n.btn-group > .btn:first-child {\r\n  margin-left: 0;\r\n}\r\n.btn-group > .btn:first-child:not(:last-child):not(.dropdown-toggle) {\r\n  border-bottom-right-radius: 0;\r\n  border-top-right-radius: 0;\r\n}\r\n.btn-group > .btn:last-child:not(:first-child),\r\n.btn-group > .dropdown-toggle:not(:first-child) {\r\n  border-bottom-left-radius: 0;\r\n  border-top-left-radius: 0;\r\n}\r\n.btn-group > .btn-group {\r\n  float: left;\r\n}\r\n.btn-group > .btn-group:not(:first-child):not(:last-child) > .btn {\r\n  border-radius: 0;\r\n}\r\n.btn-group > .btn-group:first-child:not(:last-child) > .btn:last-child,\r\n.btn-group > .btn-group:first-child:not(:last-child) > .dropdown-toggle {\r\n  border-bottom-right-radius: 0;\r\n  border-top-right-radius: 0;\r\n}\r\n.btn-group > .btn-group:last-child:not(:first-child) > .btn:first-child {\r\n  border-bottom-left-radius: 0;\r\n  border-top-left-radius: 0;\r\n}\r\n.btn-group .dropdown-toggle:active,\r\n.btn-group.open .dropdown-toggle {\r\n  outline: 0;\r\n}\r\n.btn-group > .btn + .dropdown-toggle {\r\n  padding-left: 8px;\r\n  padding-right: 8px;\r\n}\r\n.btn-group > .btn-lg + .dropdown-toggle {\r\n  padding-left: 12px;\r\n  padding-right: 12px;\r\n}\r\n.btn-group.open .dropdown-toggle {\r\n  -webkit-box-shadow: inset 0 3px 5px rgba(0, 0, 0, 0.125);\r\n  box-shadow: inset 0 3px 5px rgba(0, 0, 0, 0.125);\r\n}\r\n.btn-group.open .dropdown-toggle.btn-link {\r\n  -webkit-box-shadow: none;\r\n  box-shadow: none;\r\n}\r\n.btn .caret {\r\n  margin-left: 0;\r\n}\r\n.btn-lg .caret {\r\n  border-width: 5px 5px 0;\r\n  border-bottom-width: 0;\r\n}\r\n.dropup .btn-lg .caret {\r\n  border-width: 0 5px 5px;\r\n}\r\n.btn-group-vertical > .btn,\r\n.btn-group-vertical > .btn-group,\r\n.btn-group-vertical > .btn-group > .btn {\r\n  display: block;\r\n  float: none;\r\n  width: 100%;\r\n  max-width: 100%;\r\n}\r\n.btn-group-vertical > .btn-group > .btn {\r\n  float: none;\r\n}\r\n.btn-group-vertical > .btn + .btn,\r\n.btn-group-vertical > .btn + .btn-group,\r\n.btn-group-vertical > .btn-group + .btn,\r\n.btn-group-vertical > .btn-group + .btn-group {\r\n  margin-top: -1px;\r\n  margin-left: 0;\r\n}\r\n.btn-group-vertical > .btn:not(:first-child):not(:last-child) {\r\n  border-radius: 0;\r\n}\r\n.btn-group-vertical > .btn:first-child:not(:last-child) {\r\n  border-top-right-radius: 4px;\r\n  border-bottom-right-radius: 0;\r\n  border-bottom-left-radius: 0;\r\n}\r\n.btn-group-vertical > .btn:last-child:not(:first-child) {\r\n  border-bottom-left-radius: 4px;\r\n  border-top-right-radius: 0;\r\n  border-top-left-radius: 0;\r\n}\r\n.btn-group-vertical > .btn-group:not(:first-child):not(:last-child) > .btn {\r\n  border-radius: 0;\r\n}\r\n.btn-group-vertical > .btn-group:first-child:not(:last-child) > .btn:last-child,\r\n.btn-group-vertical > .btn-group:first-child:not(:last-child) > .dropdown-toggle {\r\n  border-bottom-right-radius: 0;\r\n  border-bottom-left-radius: 0;\r\n}\r\n.btn-group-vertical > .btn-group:last-child:not(:first-child) > .btn:first-child {\r\n  border-top-right-radius: 0;\r\n  border-top-left-radius: 0;\r\n}\r\n.btn-group-justified {\r\n  display: table;\r\n  width: 100%;\r\n  table-layout: fixed;\r\n  border-collapse: separate;\r\n}\r\n.btn-group-justified > .btn,\r\n.btn-group-justified > .btn-group {\r\n  float: none;\r\n  display: table-cell;\r\n  width: 1%;\r\n}\r\n.btn-group-justified > .btn-group .btn {\r\n  width: 100%;\r\n}\r\n.btn-group-justified > .btn-group .dropdown-menu {\r\n  left: auto;\r\n}\r\n\r\n\r\n\r\n\r\n\/*custom styles*\/\r\n\r\n.article .btn-group .btn {\r\n    width: auto;\r\n    background: #015b7e;\r\n    border: 0px;\r\n    padding: 11px 25px 12px 25px;\r\n    border-radius: 4px 4px 4px 4px;\r\n    color: white;\r\n    font-weight: 700;\r\n    display: inline-block;\r\n    height: 47px;\r\n    border: 2px solid white;\r\n}\r\n\r\n\r\n.panel-collapse{\r\n    border-bottom: 1px solid #ccc;\r\n    padding-top: 10px;\r\n    padding-bottom: 10px;\r\n}\r\n<\/style>\r\n\r\n<script>\r\n\t\/* ========================================================================\r\n* Bootstrap: button.js v3.3.5\r\n* http:\/\/getbootstrap.com\/javascript\/#buttons\r\n* ========================================================================\r\n* Copyright 2011-2015 Twitter, Inc.\r\n* Licensed under MIT (https:\/\/github.com\/twbs\/bootstrap\/blob\/master\/LICENSE)\r\n* ======================================================================== *\/\r\n\r\n\/\/ Contains files button.js, collapse.js, dropdown.js, tab.js and transition.js\r\n+function ($) {\r\n'use strict';\r\nvar Button = function (element, options) {\r\nthis.$element  = $(element)\r\nthis.options   = $.extend({}, Button.DEFAULTS, options)\r\nthis.isLoading = false\r\n}\r\n\r\nButton.VERSION  = '3.3.5'\r\n\r\nButton.DEFAULTS = {\r\nloadingText: 'loading...'\r\n}\r\nButton.prototype.setState = function (state) {\r\nvar d    = 'disabled'\r\nvar $el  = this.$element\r\nvar val  = $el.is('input') ? 'val' : 'html'\r\nvar data = $el.data()\r\nstate += 'Text'\r\nif (data.resetText == null) $el.data('resetText', $el[val]())\r\nsetTimeout($.proxy(function () {\r\n$el[val](data[state] == null ? this.options[state] : data[state])\r\n\r\nif (state == 'loadingText') {\r\n    this.isLoading = true\r\n    $el.addClass(d).attr(d, d)\r\n} else if (this.isLoading) {\r\n    this.isLoading = false\r\n    $el.removeClass(d).removeAttr(d)\r\n}\r\n}, this), 0)\r\n}\r\n\r\nButton.prototype.toggle = function () {\r\nvar changed = true\r\nvar $parent = this.$element.closest('[data-toggle=\"buttons\"]')\r\n\r\nif ($parent.length) {\r\nvar $input = this.$element.find('input')\r\nif ($input.prop('type') == 'radio') {\r\n    if ($input.prop('checked')) changed = false\r\n    $parent.find('.active').removeClass('active')\r\n    this.$element.addClass('active')\r\n} else if ($input.prop('type') == 'checkbox') {\r\n    if (($input.prop('checked')) !== this.$element.hasClass('active')) changed = false\r\n    this.$element.toggleClass('active')\r\n}\r\n$input.prop('checked', this.$element.hasClass('active'))\r\nif (changed) $input.trigger('change')\r\n} else {\r\nthis.$element.attr('aria-pressed', !this.$element.hasClass('active'))\r\nthis.$element.toggleClass('active')\r\n}\r\n}\r\nfunction Plugin(option) {\r\nreturn this.each(function () {\r\nvar $this   = $(this)\r\nvar data    = $this.data('bs.button')\r\nvar options = typeof option == 'object' && option\r\n\r\nif (!data) $this.data('bs.button', (data = new Button(this, options)))\r\n\r\nif (option == 'toggle') data.toggle()\r\nelse if (option) data.setState(option)\r\n})\r\n}\r\nvar old = $.fn.button\r\n$.fn.button             = Plugin\r\n$.fn.button.Constructor = Button\r\n$.fn.button.noConflict = function () {\r\n$.fn.button = old\r\nreturn this\r\n}\r\n$(document)\r\n.on('click.bs.button.data-api', '[data-toggle^=\"button\"]', function (e) {\r\nvar $btn = $(e.target)\r\nif (!$btn.hasClass('btn')) $btn = $btn.closest('.btn')\r\nPlugin.call($btn, 'toggle')\r\nif (!($(e.target).is('input[type=\"radio\"]') || $(e.target).is('input[type=\"checkbox\"]'))) e.preventDefault()\r\n})\r\n.on('focus.bs.button.data-api blur.bs.button.data-api', '[data-toggle^=\"button\"]', function (e) {\r\n$(e.target).closest('.btn').toggleClass('focus', \/^focus(in)?$\/.test(e.type))\r\n})\r\n}(jQuery);\r\n\r\n\r\n+function ($) {\r\n'use strict';\r\nvar Collapse = function (element, options) {\r\nthis.$element      = $(element)\r\nthis.options       = $.extend({}, Collapse.DEFAULTS, options)\r\nthis.$trigger      = $('[data-toggle=\"collapse\"][href=\"#' + element.id + '\"],' +\r\n'[data-toggle=\"collapse\"][data-target=\"#' + element.id + '\"]')\r\nthis.transitioning = null\r\nif (this.options.parent) {\r\nthis.$parent = this.getParent()\r\n} else {\r\nthis.addAriaAndCollapsedClass(this.$element, this.$trigger)\r\n}\r\nif (this.options.toggle) this.toggle()\r\n}\r\nCollapse.VERSION  = '3.3.5'\r\nCollapse.TRANSITION_DURATION = 350\r\nCollapse.DEFAULTS = {\r\ntoggle: true\r\n}\r\nCollapse.prototype.dimension = function () {\r\nvar hasWidth = this.$element.hasClass('width')\r\nreturn hasWidth ? 'width' : 'height'\r\n}\r\nCollapse.prototype.show = function () {\r\nif (this.transitioning || this.$element.hasClass('in')) return\r\nvar activesData\r\nvar actives = this.$parent && this.$parent.children('.panel').children('.in, .collapsing')\r\nif (actives && actives.length) {\r\nactivesData = actives.data('bs.collapse')\r\nif (activesData && activesData.transitioning) return\r\n}\r\nvar startEvent = $.Event('show.bs.collapse')\r\nthis.$element.trigger(startEvent)\r\nif (startEvent.isDefaultPrevented()) return\r\nif (actives && actives.length) {\r\nPlugin.call(actives, 'hide')\r\nactivesData || actives.data('bs.collapse', null)\r\n}\r\nvar dimension = this.dimension()\r\nthis.$element\r\n.removeClass('collapse')\r\n.addClass('collapsing')[dimension](0)\r\n.attr('aria-expanded', true)\r\nthis.$trigger\r\n.removeClass('collapsed')\r\n.attr('aria-expanded', true)\r\n\r\nthis.transitioning = 1\r\nvar complete = function () {\r\nthis.$element\r\n    .removeClass('collapsing')\r\n    .addClass('collapse in')[dimension]('')\r\nthis.transitioning = 0\r\nthis.$element\r\n    .trigger('shown.bs.collapse')\r\n}\r\nif (!$.support.transition) return complete.call(this)\r\nvar scrollSize = $.camelCase(['scroll', dimension].join('-'))\r\nthis.$element\r\n.one('bsTransitionEnd', $.proxy(complete, this))\r\n.emulateTransitionEnd(Collapse.TRANSITION_DURATION)[dimension](this.$element[0][scrollSize])\r\n}\r\nCollapse.prototype.hide = function () {\r\nif (this.transitioning || !this.$element.hasClass('in')) return\r\nvar startEvent = $.Event('hide.bs.collapse')\r\nthis.$element.trigger(startEvent)\r\nif (startEvent.isDefaultPrevented()) return\r\nvar dimension = this.dimension()\r\nthis.$element[dimension](this.$element[dimension]())[0].offsetHeight\r\nthis.$element\r\n.addClass('collapsing')\r\n.removeClass('collapse in')\r\n.attr('aria-expanded', false)\r\n\r\nthis.$trigger\r\n.addClass('collapsed')\r\n.attr('aria-expanded', false)\r\nthis.transitioning = 1\r\nvar complete = function () {\r\nthis.transitioning = 0\r\nthis.$element\r\n    .removeClass('collapsing')\r\n    .addClass('collapse')\r\n    .trigger('hidden.bs.collapse')\r\n}\r\nif (!$.support.transition) return complete.call(this)\r\nthis.$element\r\n[dimension](0)\r\n.one('bsTransitionEnd', $.proxy(complete, this))\r\n.emulateTransitionEnd(Collapse.TRANSITION_DURATION)\r\n}\r\nCollapse.prototype.toggle = function () {\r\nthis[this.$element.hasClass('in') ? 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'[data-toggle=\"pill\"]', clickHandler)\r\n}(jQuery);\r\n\r\n+function ($) {\r\n'use strict';\r\nfunction transitionEnd() {\r\nvar el = document.createElement('bootstrap')\r\nvar transEndEventNames = {\r\nWebkitTransition : 'webkitTransitionEnd',\r\nMozTransition    : 'transitionend',\r\nOTransition      : 'oTransitionEnd otransitionend',\r\ntransition       : 'transitionend'\r\n}\r\nfor (var name in transEndEventNames) {\r\nif (el.style[name] !== undefined) {\r\n    return { end: transEndEventNames[name] }\r\n}\r\n}\r\nreturn false\r\n}\r\n$.fn.emulateTransitionEnd = function (duration) {\r\nvar called = false\r\nvar $el = this\r\n$(this).one('bsTransitionEnd', function () { called = true })\r\nvar callback = function () { if (!called) $($el).trigger($.support.transition.end) }\r\nsetTimeout(callback, duration)\r\nreturn this\r\n}\r\n$(function () {\r\n$.support.transition = transitionEnd()\r\nif (!$.support.transition) return\r\n$.event.special.bsTransitionEnd = {\r\nbindType: $.support.transition.end,\r\ndelegateType: $.support.transition.end,\r\nhandle: function (e) {\r\n    if ($(e.target).is(this)) return e.handleObj.handler.apply(this, arguments)\r\n}\r\n}\r\n})\r\n}(jQuery);\r\n<\/script>\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-059e237 elementor-widget elementor-widget-shortcode\" data-id=\"059e237\" data-element_type=\"widget\" data-widget_type=\"shortcode.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-shortcode\"><div class=\"article\"> <a href=\"https:\/\/www.aibr.org\/antropologia\/netesp\/1201.php\" target=\"_blank\" rel=\"noopener\"> <img decoding=\"async\" src=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/images\/wcaa\/dejalu\/covers7\/AIBR.gif\" alt=\"American Anthropologist\" \/> <\/a>\r\n    <div class=\"abstract-expand article-content\">\r\n        <p>Ruiz, Gabriel. 2017. \u201cTres veces en la plaza: Escenificaci\u00f3n de una ceremonia estatal de perd\u00f3n p\u00fablico por actos de violencia paramilitar en Colombia (Three times at the square: staging of a ceremony of State public apology due to the acts of paramilitary violence in Colombia).\u201d <a href=\"https:\/\/www.aibr.org\/antropologia\/netesp\/1201.php\" target=\"_blank\" rel=\"noopener\">AIBR, Revista de Antropolog\u00eda Iberoamericana<\/a> 12(1): 9-29.<\/p>\r\n        <!-- <p class=\"keywords\">Keywords: Conditional cash transfers, gender, Latin America<\/p> -->\r\n        <div class=\"article-menu\">\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"article abstracts\">\r\n                <button data-target=\"#ruiz2\" class=\"btn btn-default\" data-toggle=\"collapse\" aria-haspopup=\"true\" aria-expanded=\"false\">Resumen (Espanol)<i class=\"fas fa-caret-down\"><\/i><\/button>\r\n                <button data-target=\"#ruiz\" class=\"btn btn-default\" data-toggle=\"collapse\" aria-haspopup=\"true\" aria-expanded=\"false\">Abstract <i class=\"fas fa-caret-down\"><\/i><\/button>\r\n            <\/div>\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"Article links and documents\">\r\n                <!-- <a href=\"http:\/\/onlinelibrary.wiley.com\/doi\/10.1111\/taja.12022\/abstract\" title=\"External link to the article\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">Full article<\/a> -->\r\n                <a href=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/downloads\/wcaa\/dejalu\/march_2019\/AIBR_Spanish.pdf\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">PDF (Espanol)<i class=\"far fa-file-pdf\"><\/i><\/a> <a href=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/downloads\/wcaa\/dejalu\/march_2019\/AIBR_English.pdf\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">PDF <i class=\"far fa-file-pdf\"><\/i><\/a>\r\n            <\/div>\r\n        <\/div>\r\n        <p class=\"panel-collapse collapse\" id=\"ruiz\" lang=\"en\">The acts of armed violence can pour a new sense over the spaces where a community build its social identity. In Nueva Venecia, a small pile-dwelling village in Magdalena (Colombia), three different armed actors (the guerrilla, the right-wing paramilitaries and the Public Force) gathered the local people, at three different times, on the same social space: the main square. In the first meeting, people was warned, by the first one of the three groups, about the possibility of a slaughter that could happen there. In the second occasion, local people was both victim and witness of the way that the second one carried it on. In the third meeting, the third group offered excuses for what happened. The paper analyses the way in which these three acts determined three marks of the continuum of violence over the local nodal space of memory. The article is organized around the last act, when national Army and Police representatives organized a public ceremony of forgiveness because of the paramilitary massacre. The study of such a ceremony shows it as a stage where agents of confronting memories are trying to achieve social legitimacy rather than a true act of symbolic reparation.<\/p>\r\n        <p class=\"panel-collapse collapse\" id=\"ruiz2\" lang=\"es\">Los actos de violencia armada tienen la capacidad de resignificar los espacios alrededor de los cuales una comunidad ha construido su identidad social. En el peque\u00f1o poblado palafito de Nueva Venecia (Magdalena-Colombia), tres distintos actores armados (la guerrilla, los paramilitares de extrema derecha y la fuerza p\u00fablica colombiana) convocaron a la poblaci\u00f3n, en tres distintos momentos, en el mismo espacio social: la plaza principal del pueblo. En la primera reuni\u00f3n, el primer grupo advirti\u00f3 sobre la posibilidad de una masacre; en la segunda, los pobladores fueron v\u00edctimas y testigos de la forma en que el segundo grupo la ejecutaba; y en la tercera reuni\u00f3n, el tercer grupo ofrec\u00eda excusas por lo sucedido. El art\u00edculo analiza la forma en que estos tres actos determinaron tres marcas del continuum de la violencia sobre ese espacio nodal de memoria. El texto est\u00e1 organizado narrativamente alrededor del \u00faltimo de estos actos, cuando representantes del ej\u00e9rcito y la polic\u00eda colombianas ofician una ceremonia p\u00fablica de perd\u00f3n por la masacre paramilitar. El an\u00e1lisis de dicha ceremonia la revela m\u00e1s como un escenario donde los agentes de memorias enfrentadas despliegan dispositivos discursivos para legitimarse socialmente como un verdadero acto de reparaci\u00f3n simb\u00f3lica.<\/p>\r\n    <\/div>\r\n<\/div>\r\n\r\n<div class=\"article\"> <a href=\"https:\/\/revistas.unc.edu.ar\/index.php\/antropologia\/issue\/view\/1552\/showToc\" target=\"_blank\" rel=\"noopener\"> <img decoding=\"async\" src=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/images\/wcaa\/dejalu\/covers7\/RevistadeMuseodeAntropologia.png\" alt=\"https:\/\/www.idunn.no\/nat\/2016\/02\" \/> <\/a>\r\n    <div class=\"abstract-expand article-content\">\r\n        <p>Espinosa, Mariana. 2017. \u201cMisiones evang\u00e9licas, capitalismo y regulaci\u00f3n estatal entre los guaran\u00edes del Noroeste Argentino (Evangelical missions, capitalism and state regulation among the Guarani of the Argentine Northwest).\u201d <a href=\"https:\/\/revistas.unc.edu.ar\/index.php\/antropologia\/issue\/view\/1552\/showToc\" target=\"_blank\" rel=\"noopener\">Revista del Museo de Antropologia<\/a> 10(2): 193-205.<\/p>\r\n        <!-- <p class=\"keywords\">Keywords: Conditional cash transfers, gender, Latin America<\/p> -->\r\n        <div class=\"article-menu\">\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"article abstracts\">\r\n                <button data-target=\"#espinosa2\" class=\"btn btn-default\" data-toggle=\"collapse\" aria-haspopup=\"true\" aria-expanded=\"false\">Resumen (Espanol)<i class=\"fas fa-caret-down\"><\/i><\/button>\r\n                <button data-target=\"#espinosa\" class=\"btn btn-default\" data-toggle=\"collapse\" aria-haspopup=\"true\" aria-expanded=\"false\">Abstract <i class=\"fas fa-caret-down\"><\/i><\/button>\r\n            <\/div>\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"Article links and documents\">\r\n                <!-- <a href=\"http:\/\/onlinelibrary.wiley.com\/doi\/10.1111\/taja.12022\/abstract\" title=\"External link to the article\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">Full article<\/a> -->\r\n                <a href=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/downloads\/wcaa\/dejalu\/march_2019\/RevistadelMuseodeAntropologia(Spanish).pdf\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">PDF (Espanol) <i class=\"far fa-file-pdf\"><\/i><\/a> <a href=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/downloads\/wcaa\/dejalu\/march_2019\/RevistadelMuseodeAntropologia(English).pdf\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">PDF <i class=\"far fa-file-pdf\"><\/i><\/a>\r\n            <\/div>\r\n        <\/div>\r\n        <p class=\"panel-collapse collapse\" id=\"espinosa\" lang=\"en\">Evangelism among the Guarani of the Argentine Northwest is a subject of study scarcely explored that would be important to vitalize given its geographical scope, historical depth and contemporary socio-cultural effects. This article broadens and complements historical and ethnographic knowledge about the expansion of evangelical missions of British and North American origin among the Guarani, putting in evidence three moments of the missionary undertakings and their relationships with the State and the agro-industrial companies, between 1890 and 1980. It is mainly the search for understanding and explanation of the current map of evangelical Guarani churches that leads us to propose a long-term study on the genesis and transformations of the socio-cultural system organized by the expansion of evangelism among indigenous communities in the region. The article combines historical sources, ethnographic observations and pertinent bibliographical references.<\/p>\r\n        <p class=\"panel-collapse collapse\" id=\"espinosa2\" lang=\"es\">El evangelismo entre guaran\u00edes del Noroeste Argentino es un tema poco explorado que ser\u00eda importante vitalizar dado su alcance geogr\u00e1fico, profundidad hist\u00f3rica e impacto socio-cultural contempor\u00e1neo. El presente art\u00edculo amplia y complementa conocimiento hist\u00f3rico y etnogr\u00e1fico sobre la expansi\u00f3n de misiones evang\u00e9licas de origen brit\u00e1nico y norteamericano entre los guaran\u00edes, evidenciando tres momentos de los emprendimientos misioneros y su relaci\u00f3n con el Estado y los establecimientos agro-industriales, entre 1890 y 1980. Es principalmente la b\u00fasqueda de comprensi\u00f3n y explicaci\u00f3n del actual mapa de iglesias evang\u00e9licas guaran\u00edes lo que nos lleva a plantear un estudio de larga duraci\u00f3n sobre la g\u00e9nesis y las transformaciones del sistema socio-cultural organizado por la expansi\u00f3n del evangelismo entre comunidades ind\u00edgenas de la regi\u00f3n. El desarrollo del art\u00edculo combina fuentes documentales, observaciones etnogr\u00e1ficas y un sistema de referencias bibliogr\u00e1ficas.<\/p>\r\n    <\/div>\r\n<\/div>\r\n\r\n<div class=\"article\"> <a href=\"http:\/\/www.jasca.org\/publication-e\/frame_jjca-e.html\" target=\"_blank\" rel=\"noopener\"> <img decoding=\"async\" src=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/images\/wcaa\/dejalu\/covers5\/JapaneseJournalofCulturalAnthropology.gif\" alt=\"JJCA\" \/> <\/a>\r\n    <div class=\"abstract-expand article-content\">\r\n        <p>Sato, Wakana (\u4f50\u85e4\u82e5\u83dc). 2014. &ldquo;Sympathetic Relationships between Miao Mothers and Daughters as Mediated by Ethnic Costumes: Case Studies from Guizhou Province, China. (\u8863\u88c5\u304c \u3064 \u306a \u3050\u6bcd\u5a18\u306e \u300c\u5171\u611f\u7684\u300d\u95a2\u4fc2\u2013\u2013\u4e2d\u56fd\u8cb4\u5dde\u7701 \u306e \u30df \u30e3 \u30aa \u65cf \u306b \u304a\u3051 \u308b \u5b9f\u5bb6 \u30fb\u5a5a \u5bb6 \u9593\u306e \u79fb \u52d5 \u3068\u305d\u306e \u5909\u5bb9).&rdquo; <a href=\"http:\/\/www.jasca.org\/publication-e\/frame_jjca-e.html\" target=\"_blank\" rel=\"noopener\"><em>Japanese Journal of Cultural Anthropology<\/em><\/a> <em>(<\/em><em>\u6587\u5316\u4eba\u985e\u5b66<\/em><em>)<\/em> 79(3):305\u2013327.<\/p>\r\n        <p class=\"keywords\">Keywords: race; racism; Unesco; anthropology; history of science; Statement on race<\/p>\r\n        <p lang=\"ja\" class=\"keywords\">\u30ad\u30fc\u30ef\u30fc\u30c9:\u6bcd\u5a18\u95a2\u4fc2\uff0c \u300c\u5171\u611f\u7684\u300d\u95a2\u4fc2\uff0c \u6c11\u65cf\u8863\u88c5\uff0c \u30df\u30e3\u30aa\u65cf\uff0c \u4e2d\u56fd<\/p>\r\n        <div class=\"article-menu\">\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"article abstracts\">\r\n                <button data-target=\"#sato\" class=\"btn btn-default\" data-toggle=\"collapse\" aria-haspopup=\"true\" aria-expanded=\"false\">Abstract <i class=\"fas fa-caret-down\"><\/i><\/button>\r\n                <button data-target=\"#sato2\" class=\"btn btn-default\" data-toggle=\"collapse\" aria-haspopup=\"true\" aria-expanded=\"false\">\u62bd\u8c61 (\u65e5\u672c\u8a9e) <i class=\"fas fa-caret-down\"><\/i><\/button>\r\n            <\/div>\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"Article links and documents\"> <a href=\"http:\/\/www.vibrant.org.br\/wordpress\/wp-content\/uploads\/1Antiracism.pdf\" title=\"External link to the article\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">Full article<\/a> <a href=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/downloads\/wcaa\/dejalu\/feb_2017\/JapaneseJournalofCulturalAnthropology.pdf\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">PDF <i class=\"far fa-file-pdf\"><\/i><\/a> <a href=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/downloads\/wcaa\/dejalu\/feb_2017\/JapaneseJournalofCulturalAnthropology(Japaneseoriginal).pdf\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">PDF (\u65e5\u672c\u8a9e) <i class=\"far fa-file-pdf\"><\/i><\/a> <\/div>\r\n        <\/div>\r\n        <p class=\"panel-collapse collapse\" id=\"sato\" lang=\"en\">In this paper, I propose that mother-daughter relationships in the patrilineal kinship system among the Miao, especially after the daughter&rsquo;s separation from her natal family, are constituted through material objects. The case study presented in this paper deals with Miao women in southwest China and their ethnic costumes, and focuses on changes that have taken place since the 1990s regarding the bride&rsquo;s move from the natal to marital home. This paper also considers women&rsquo;s changing affiliations from natal to marital families in marriages with patrilocal residence. <br \/>\r\n            <br \/>\r\n            Until the 1980s, the Miao maintained a custom known as <em>zuo jia<\/em>, whereby a bride would continue to live in her natal home even after her wedding until becoming pregnant or reaching childbearing age. During the <em>zuo jia <\/em>period, the status of the bride was liminal, and her affiliation was ambiguous. After living in the natal home for a few years, a bride would move to her marital home along with her costumes, typically indicating the start of her affiliation with her marital family. Among the Miao in L village, my field site, <em>Zuo jia <\/em>had no longer been practiced since the 1990s. Nowadays, the bride&rsquo;s residence in her husband&rsquo;s house and her pregnancy begin immediately after her wedding. The major change among Miao since the 1990s is that a married woman now leaves her costumes with her mother in her natal home until her mothers&rsquo; death or her own second childbirth. <br \/>\r\n            <br \/>\r\n            As a result, both mothers and daughters\u2014each with their own perspectives and logic\u2014support and create a situation in which the daughters&rsquo; affiliation with natal and marital families and the costumes&rsquo; possession between the mother and daughter remain ambiguous until the daughters finally take their costumes to the marital home. Furthermore, the ambiguous possession of costumes between mothers and daughters, which has emerged since the 1990s, in part replaces the ambiguous status of brides during the <em>zuo jia <\/em>period before the 1990s, which allows the separation of mothers and daughters to occur gradually over a long period.<br \/>\r\n            <br \/>\r\n            In conclusion, I suggest that material objects such as the costumes handcrafted by mothers also constitute a &ldquo;sympathetic&rdquo; relationship between mothers and daughters which can be understood as a relationship based on &ldquo;sympathetic magic&rdquo; [Shimizu 1989]. That relationship is based on the mothers&rsquo; continuing involvement in their daughters&rsquo; lives through the daughters&rsquo; costumes, even after the daughters move to their marital homes. The daughters also continue to show their consideration for their mothers by leaving their costumes in their natal homes. The costumes mediate the mother-daughter relationship through the physical acts of wearing and handcrafting and through their value as prestige goods. Such a relationship has emerged in association with socioeconomic changes that have occurred since the 1990s. Here, the mother-daughter relationship is maintained and reinforced through continuing mutual consideration and attention manifested in the physical location and transference of the costumes. I suggest that such continued mother-daughter relationships cannot be taken for granted, especially when the women move from their natal families to their marital families. Such connections are created and reinforced by people&rsquo;s practices, which can be accomplished through the mediation of such material objects as costumes handcrafted by mothers.\r\n        <\/p>\r\n        <p class=\"panel-collapse collapse\" id=\"sato2\" lang=\"ja\">\u672c\u7a3f\u306f\u7236\u7cfb\u89aa\u65cf\u7d44\u7e54\u3092\u7279\u5fb4\u3068\u3059\u308b\u4e2d\u56fd\u8cb4\u5dde\u7701\u306e\u30df\u30e3\u30aa\u65cf\u3092\u4e8b\u4f8b\u306b\u3001\u305d\u306e\u6c11\u65cf\u8863\u88c5\u3092\u4ecb\u3057\u3066\u5f62\u6210 \u3055\u308c\u308b\u6bcd\u5a18\u95a2\u4fc2\u306b\u3064\u3044\u3066\u691c\u8a0e\u3059\u308b\u3002\u7279\u306b\u8863\u88c5\u306e\u88fd\u4f5c\u30fb\u6240\u6709\u30fb\u8b72\u6e21\u306e\u69d8\u614b\u3068\u3001\u5a5a\u793c\u5f8c\u306b\u898b\u3089\u308c\u308b\u5b9f\u5bb6\u30fb \u5a5a\u5bb6\u9593\u3067\u306e\u5973\u6027\u306e\u79fb\u52d5\u30d1\u30bf\u30fc\u30f3\u304c\u30011990\u5e74\u9803\u3092\u5883\u306b\u5927\u304d\u304f\u5909\u5316\u3057\u305f\u70b9\u306b\u7740\u76ee\u3059\u308b\u3002\u6e05\u6c34\u662d\u4fca\u306f\u3001 \u89aa\u5b50\u306e\u8eab\u4f53\u7684\u30fb\u970a\u7684\u8981\u7d20\u306e\u9023\u7d9a\u6027\u304b\u3089\u304b\u3064\u3066\u306e\u63a5\u89e6\u3084\u878d\u5408\u3092\u60f3\u8d77\u3059\u308b\u3053\u3068\u3067\u7e4b\u304c\u308c\u308b\u4e21\u8005\u306e\u95a2\u4fc2 \u3092\u3001\u546a\u8853\u7684\u306a\u6027\u683c\u3092\u3082\u3064\u300c\u5171\u611f\u7684\u306a\u300d\u95a2\u4fc2\u3068\u8868\u73fe\u3057\u305f\u3002\u3053\u308c\u306b\u5bfe\u3057\u672c\u7a3f\u3067\u306f\u3001\u73fe\u5730\u306e\u793e\u4f1a\u7d4c\u6e08\u7684 \u306a\u5909\u5316\u3068\u3068\u3082\u306b\u751f\u8d77\u3057\u305f\u6bcd\u3068\u5a18\u3068\u306e\u95a2\u4fc2\u3092\u660e\u3089\u304b\u306b\u3059\u308b\u3053\u3068\u3067\u3001\u3053\u306e\u95a2\u4fc2\u3082\u307e\u305f\u8863\u88c5\u3092\u4ecb\u3057\u3066\u300c\u5171 \u611f\u7684\u300d\u306b\u7bc9\u304b\u308c\u305f\u3053\u3068\u3092\u6307\u6458\u3059\u308b\u3002 <br \/>\r\n            <br \/>\r\n            1980\u5e74\u4ee3\u307e\u3067\u30df\u30e3\u30aa\u65cf\u306e\u5973\u6027\u306f\u5a5a\u793c\u3092\u6319\u3052\u308b\u3068 \u4e00 \u65e6\u5b9f\u5bb6\u306b\u623b\u308a\u3001\u6570\u5e74\u6ede\u5728\u3057\u3066\u304b\u3089\u5a5a\u5bb6\u3067\u306e\u751f \u6d3b\u3092\u59cb\u3081\u3066\u3044\u305f\u3002\u65b0\u5a66\u306f\u5b9f\u5bb6\u3067\u306e\u6ede\u5728\u3092\u7d42\u3048\u3001\u5a5a\u5bb6\u3078\u3068\u79fb\u52d5\u3059\u308b\u969b\u306b\u8863\u88c5\u3092\u6301\u53c2\u3057\u3066\u3044\u305f\u306e\u3067\u3042 \u308b\u3002\u3057\u304b\u30571990\u5e74\u4ee3\u4ee5\u964d\u3001\u3053\u306e\u5b9f\u5bb6\u3067\u306e\u6ede\u5728\u671f\u554f\u306f\u6570\u65e5\u554f\u306b\u7e2e\u5c0f\u3055\u308c\u3001\u65b0\u5a66\u306f\u65e9\u3005\u3068\u5a5a\u5bb6\u3067\u306e\u751f \u6d3b\u3092\u59cb\u3081\u308b\u304b\u3001\u592b\u3068\u3068\u3082\u306b\u51fa\u7a3c\u304e\u306b\u51fa\u308b\u3088\u3046\u306b\u306a\u3063\u305f\u3002\u305d\u306e\u4e00\u65b9\u3067\u3001\u8863\u88c5\u3092\u5a5a\u5bb6\u3078\u6301\u53c2\u3059\u308b\u6642\u671f \u306f\u3001\u305d\u306e\u5f8c\u306e\u7b2c2 \u5b50\u51fa\u7523\u304b\u5b9f\u6bcd\u306e\u6b7b\u53bb\u307e\u3067\u5ef6\u671f\u3055\u308c\u308b\u3088\u3046\u306b\u306a\u3063\u305f\u306e\u3067\u3042\u308b\u3002\u3053\u308c\u306b\u3088\u308a\u5a18\u304c\u5b9f \u5bb6\u3092\u96e2\u308c\u3066\u3082\u306a\u304a\u3001\u8863\u88c5\u3092\u4ecb\u3057\u305f\u6bcd\u5a18\u95a2\u4fc2\u306f\u6301\u7d9a\u3059\u308b\u3088\u3046\u306b\u306a\u3063\u305f\u3002<br \/>\r\n            <br \/>\r\n            \u4ee5\u4e0a\u306e\u4e8b\u4f8b\u304b\u3089\u3001\u8863\u88c5\u304c\u3064\u306a\u3050\u6bcd\u5a18\u9593\u306e\u300c\u5171\u611f\u7684\u300d\u95a2\u4fc2\u306f\u3001\u8eab\u4f53\u7684\u30fb\u970a\u7684\u8981\u7d20\u306b\u3088\u3063\u3066\u5185\u5728\u7684 \u306b\u89aa\u5b50\u306e\u9593\u306b\u5b58\u5728\u3057\u305f\u306e\u3067\u306f\u306a\u304f\u3001\u3080\u3057\u308d\u73fe\u5730\u306e\u793e\u4f1a\u7d4c\u6e08\u7684\u306a\u52d5\u614b\u3092\u80cc\u666f\u306b\u7bc9\u304b\u308c\u305f\u3053\u3068\u3092\u793a\u3059\u3002 \u3059\u306a\u308f\u3061\u3001\u8863\u88c5\u306e\u4fa1\u5024\u306e\u9ad8\u307e\u308a\u3068\u3001\u5b9f\u6bcd\u304c\u5a18\u306e\u8863\u88c5\u3092\u88fd\u4f5c\u3059\u308b\u3068\u3044\u3046\u30b5\u30a4\u30af\u30eb\u306e\u666e\u53ca\u3001\u304a\u3088\u3073\u5a5a \u59fb\u306e\u5909\u5316\u306b\u3088\u3063\u3066\u3001\u8863\u88c5\u306f\u65e2\u5a5a\u5973\u6027\u306e\uff08\u5b9f\u5bb6\u306a\u3044\u3057\u5a5a\u5bb6\u3078\u306e\uff09\u5e30\u5c5e\u306b\u50cd\u304d\u304b\u3051\u308b\u3082\u306e\u3068\u306a\u3063\u305f\u3002 \u3053\u308c\u306b\u3088\u308a\u3001\u6bcd\u89aa\u304c\u5a18\u306e\u305f\u3081\u306b\u88fd\u4f5c\u3057\u305f\u8863\u88c5\u3092\u3081\u3050\u3063\u3066\u6bcd\u5a18\u9593\u306b\u65b0\u305f\u306a\u6240\u6709\u306e\u95a2\u4fc2\u304c\u751f\u307e\u308c\u3001\u305d \u3053\u306b\u5a18\u306e\u5a5a\u5bb6\u3078\u306e\u79fb\u52d5\u904e\u7a0b\u306e\u5909\u5316\u3092\u53cd\u6620\u3057\u305f\u610f\u5473\u3065\u3051\u304c\u306a\u3055\u308c\u305f\u3053\u3068\u306b\u3088\u308a\u30011990\u5e74\u4ee3\u4ee5\u964d\u3001\u8863 \u88c5\u3092\u4ecb\u3057\u305f\u6bcd\u5a18\u306e\u300c\u5171\u611f\u7684\u300d\u95a2\u4fc2\u304c\u52d5\u614b\u7684\u306b\u751f\u8d77\u3057\u305f\u3053\u3068\u3092\u6307\u6458\u3059\u308b\u3002\r\n        <\/p>\r\n    <\/div>\r\n<\/div>\r\n\r\n\r\n\r\n<div class=\"article\"> <a href=\"http:\/\/www.aibr.org\/antropologia\/netesp\/0902.php\" target=\"_blank\" rel=\"noopener\"> <img decoding=\"async\" src=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/images\/wcaa\/dejalu\/covers4\/revista_iber.gif\" alt=\"RAI\" \/> <\/a>\r\n    <div class=\"abstract-expand article-content\">\r\n        <p><strong>Martos, Juan Antonio Flores.<\/strong> 2014. \u201cIconograf\u00edas emergentes y muertes patrimonializadas en Am\u00e9rica Latina: Santa muerte, muertos milagrosos y muertos adoptados (Emerging Iconographies and Patrimonized Deaths in Latin America: Holy Dead, Miraculous Dead and Adopted Dead).\u201d <a href=\"http:\/\/www.aibr.org\/antropologia\/netesp\/0902.php\" target=\"_blank\" rel=\"noopener\">Revista de Antropolog\u00eda Iberoamericana 9(2):115\u2013140<\/a>.<\/p>\r\n        <p class=\"keywords\">Cultural heritage, emerging cults, violence, Holy Death, miraculous dead<\/p>\r\n        <p lang=\"es\" class=\"keywords\">Palabras clave: Patrimonio cultural, cultos emergentes, violencias, Santa Muerte, muertos milagrosos<\/p>\r\n        <div class=\"article-menu\">\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"article abstracts\">\r\n                <button data-target=\"#martos\" class=\"btn btn-default\" data-toggle=\"collapse\" aria-haspopup=\"true\" aria-expanded=\"false\">Abstract <i class=\"fas fa-caret-down\"><\/i><\/button>\r\n                <button data-target=\"#martos2\" class=\"btn btn-default\" data-toggle=\"collapse\" aria-haspopup=\"true\" aria-expanded=\"false\">Resumo (Espanol) <i class=\"fas fa-caret-down\"><\/i><\/button>\r\n            <\/div>\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"Article links and documents\"> <a href=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/downloads\/wcaa\/dejalu\/feb2016\/RevistadeAntropologiaIberoamericana.pdf\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">PDF <i class=\"far fa-file-pdf\"><\/i><\/a> <\/div>\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"Article links and documents\"> <a href=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/downloads\/wcaa\/dejalu\/feb2016\/aibr.pdf\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">PDF (EN)<i class=\"far fa-file-pdf\"><\/i><\/a> <\/div>\r\n        <\/div>\r\n        <p class=\"panel-collapse collapse\" id=\"martos\">Ethnographically, I explore imaginaries in Latin American societies where death has a role and relevant agency; as well as its connection to some figures and emerging cults that claim to embody death as a self possession and heritage. From the Santa Muerte in Mexico, I will make a comparison to the processes of cultural patrimonialization of the death in other American societies. I focus the manufacture of miraculous dead\u2015folk saints\u2015 in cemeteries, and the processes of \u201cadoption\u201d of Colombia\u2019s violence victims of unknown dead citizens\u2015called dead NNs\u2015. These emerging cults connected with the experience of its practitioners to take control of their lives in a precarious state of social vulnerability, homeless state institutions and formal structures. These are considered as \u201cwalking dead\u201d who enjoy a very good health.<\/p>\r\n        <p class=\"panel-collapse collapse\" id=\"martos2\" lang=\"es\">Exploro etnogr\u00e1ficamente unos imaginarios en sociedades latinoamericanas donde la muerte tiene un protagonismo y agencia relevante y su conexi\u00f3n con unas figuras y cultos emergentes que pretenden encarnarla como un bien y patrimonio propio. A partir de la Santa Muerte en M\u00e9xico, se establece un contraste comparativo con los procesos de patrimonializaci\u00f3n cultural de la muerte en otras sociedades americanas: manufactura de muertos milagrosos \u2013santos populares\u2013 en cementerios, y procesos de elecci\u00f3n y de \u00abadopci\ufffd\ufffdn\u00bb de muertos an\u00f3nimos v\u00edctimas de la violencia en Colombia \u2013los llamados muertos NN\u2013. Estos cultos emergentes se conectan con la experiencia de sus practicantes de tomar el control de sus vidas en un precario estado de vulnerabilidad social, desamparados de instituciones estatales y estructuras oficiales. Unos \u00abmuertos vivientes\u00bb que disfrutan de buena salud.<\/p>\r\n    <\/div>\r\n<\/div>\r\n\r\n\r\n<div class=\"article\">\r\n    <div class=\"abstract-expand article-content\">\r\n        <p><strong>Oba-Smidt, Chikage<\/strong>. 2013. \u201cThe Structure of \"History\" among People without Writing: An Analysis of the Boorana Oral Chronicle in Southern Ethiopia.\u201d <a href=\"http:\/\/www.jasca.org\/publication-e\/frame-e.html\" target=\"_blank\" rel=\"noopener\">Japanese Journal of Cultural Anthropology 78(1):26\u201349<\/a>.<\/p>\r\n\r\n        <p class=\"keywords\">Keywords: Perceptions, cremation, traditional beliefs, Zulu people, alternative burial system<\/p>\r\n\r\n        <div class=\"article-menu\">\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"article abstracts\">\r\n                <button data-target=\"#oba\" class=\"btn btn-default\" data-toggle=\"collapse\" aria-haspopup=\"true\" aria-expanded=\"false\">Abstract <i class=\"fas fa-caret-down\"><\/i><\/button>\r\n            <\/div>\r\n\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"Article links and documents\">\r\n                <a href=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/downloads\/wcaa\/dejalu\/feb2016\/JapaneseJournalofCulturalAnthropology.pdf\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">PDF <i class=\"far fa-file-pdf\"><\/i><\/a>\r\n            <\/div>\r\n        <\/div>\r\n\r\n        <p class=\"panel-collapse collapse\" id=\"oba\" lang=\"en\">In this paper, I describe how people without a writing tradition preserve and construct their own history, based on a research on the Oral Chronicle of the Boorana in southern Ethiopia. The Boorana has a socio-political institution based on generation sets called gadaa. It has eight generation sets. Boorana choose their leader from the 6th generation set. This leader called abbaa-gadaa bears the main responsibility for politics and ceremonies during the eight years during which he belongs to the gadaa generation set. There were 70 abba-gadaa until now according to the Oral Chronicle. Boorana can memorize all the names of the abba-gadaa of the past, and narrate events, which are said to have happened in the time of each abba-gadaa. I focus on the concept of maq-baasa, which was frequently used by narrators. Here, I describe the law of history which Boorana believe in, which can be illustrated by the discourse of the maq-baasa. The maq-baasa are the \u201cgiven names\u201d of the abba-gadaa. There are seven \u201cgiven names\u201d and each name is, in Boorana imagination, linked with a specific destiny such as conflict, disaster or peace. Seven maq-baasa names are to be given to the different abba-gadaa in a cyclical order. 3 The Boorana believe that all events happen according to the regular cycle of the maq-baasa names and the destinies linked to them, given to each abba-gadaa. I document such a way of thinking about the laws of history through an analysis of several historical narrations which mention the cycle of maq-baasa. This structure is used to construct Boorana history, which shows the important role of specific structures for memorizing history. In the conclusion, I point out three perspectives on the structure of historical memories, which Boorana use. First, there is a correlation between historical memories and the maq-baasa cycle. The maq-baasa cycle has the role not only for constructing history but also for determining which events shall be memorized or not. Second, on the other hand, the same memorizing system produces different histories, thus different versions exist among Boorana. They sometimes even create historical memories in order to apply them to the maq-baasa cycle. Third, the view on history as being controlled by the maq-baasa cycle constructs not only the history of the past, but also the present and the future. The Boorana try to foresee the future according to the laws of history. Even accidental events will thus be involved into the cyclical historical program.<\/p>\r\n    <\/div>\r\n<\/div>\r\n\r\n\r\n<div class=\"article\"> <a href=\"http:\/\/ppct.caicyt.gov.ar\/index.php\/publicar\/issue\/view\/292\" target=\"_blank\" rel=\"noopener\"> <img decoding=\"async\" src=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/images\/wcaa\/dejalu\/publicar.png\" alt=\"Publicar\" \/> <\/a>\r\n    <div class=\"abstract-expand article-content\">\r\n        <p>Morel, Hern\u00e1n. 2013. &quot;BUENOS AIRES, MECCA OF TANGO: ACTIVATION PROCESSES, MEGA CULTURAL EVENTS, TOURISM AND DILEMMAS IN THE LOCAL HERITAGE.&quot; <a href=\"http:\/\/ppct.caicyt.gov.ar\/index.php\/publicar\/issue\/view\/292\" target=\"_blank\" rel=\"noopener\">Revista PUBLICAR en Antropolog\u00eda y Ciencias Sociales<\/a> 15: 55-74.<\/p>\r\n        <div class=\"article-menu\">\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"article abstracts\">\r\n                <button data-target=\"#morel\" class=\"btn btn-default\" data-toggle=\"collapse\" aria-haspopup=\"true\" aria-expanded=\"false\">Abstract <i class=\"fas fa-caret-down\"><\/i><\/button>\r\n            <\/div>\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"Article links and documents\"> <a href=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/downloads\/wcaa\/dejalu\/feb_2015\/morel.pdf\" target=\"_blank\" class=\"btn btn-default\" lang=\"es\" rel=\"noopener\">PDF (ESP) <i class=\"far fa-file-pdf\"><\/i><\/a> <a href=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/downloads\/wcaa\/dejalu\/translations\/morel.pdf\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">PDF (EN) <i class=\"far fa-file-pdf\"><\/i><\/a> <\/div>\r\n        <\/div>\r\n        <p class=\"panel-collapse collapse\" id=\"morel\" lang=\"en\">In this paper, we go through the history of the construction of tango as heritage. The period analyzed here begins in the late 90's and extends until 2010. We analyze the factors underlying the cultural policies that came to surface after the &quot;turn&quot; of tango as heritage in Buenos Aires, that is to say, after the activation and promotion of this popular genre on part of the political power (Morel 2009). Through a process analysis, we outline the official efforts behind this recognition. Simultaneously, we examine the impact of tourism as a decisive factor in the political-cultural approaches of the successive administrations. Our aim is especially focused on two main aspects: first, we highlight the heritage-driven policies that went along with the activation process of this genre, and, secondly, we note the consolidation of the cultural policies and actions which had to do, mainly, with the organization of tango events in relation to the promotion of tourism in the city. Under this framework, we explore the negotiations and disputes which, later on, led to the creation of the Buenos Aires Tango Festival and its institutionalization within the official cultural program. <\/p>\r\n        <p>Keywords: political heritage, festivals, tourism, tango<\/p>\r\n    <\/div>\r\n<\/div>\r\n<div class=\"article\">\r\n    <div class=\"abstract-expand article-content\">\r\n        <p>Markus Verne (2013). The Limits of Contextualism. Malagasy Heavy Metal, &quot;Satanic&quot; Aesthetics, and the Anthropological Study of Popular Music. d\u00e9j\u00e0 lu Translations (2013) <\/p>\r\n        <p>This article was first published in 2012 in German in the <a href=\"http:\/\/www.zeitschrift-fuer-ethnologie.de\/\" target=\"_blank\" rel=\"noopener\">Zeitschrift f\u00fcr Ethnologie<\/a> 137 (2), pp. 187-206.&nbsp; The original is not available on-line.&nbsp; It was chosen by the German Association of Anthropologists as&nbsp; the most appropriate article for republication in d\u00e9j\u00e0 lu. They requested its author to translate it into English, which he has done.&nbsp; We are honoured to open the section &quot;d\u00e9j\u00e0 lu Translations&quot; with this publication.<\/p>\r\n        <p class=\"keywords\">Keywords: sociology of morals, agency, accounts, effectuation<\/p>\r\n        <div class=\"article-menu\">\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"article abstracts\">\r\n                <button data-target=\"#verne\" class=\"btn btn-default\" data-toggle=\"collapse\" aria-haspopup=\"true\" aria-expanded=\"false\">Abstract <i class=\"fas fa-caret-down\"><\/i><\/button>\r\n            <\/div>\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"Article links and documents\"> <a href=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/downloads\/wcaa\/dejalu\/translations\/verne.pdf\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">PDF <i class=\"far fa-file-pdf\"><\/i><\/a> <\/div>\r\n        <\/div>\r\n        <p class=\"panel-collapse collapse\" id=\"verne\" lang=\"en\">During the last fifteen years or so, the study of popular music has increased in popularity within the field of anthropology. Theoretical approaches are however, only rarely concerned with aesthetics, with the ways in which music is experienced and with its relation to everyday life. Instead, explanations focus on the social, historical and political contexts in which popular music is performed, echoing the way in which popular music is dealt with in critical theory and cultural studies. Drawing on ethnographic research on heavy metal in the highlands of Madagascar, this article attempts to point out the shortcomings of these contextualist approaches by taking aesthetic experience as the point of departure for the study of popular music. Showing how during fieldwork in Madagascar\u2019s capital Antananarivo, Satan emerged as an allegory that served both metal fans and musicians as a means to express their aesthetic experiences and to further reflect upon the music\u2019s unique character, the article argues that the anthropological study of popular music needs to refocus on its own traditional methodologies \u2013 long-term participant observation, above all \u2013 in order to no longer neglect music\u2019s most central aspect: its ability to deeply move us. <em>Keywords: anthropology of music, popular music, aesthetics, heavy metal, Madagascar<\/em><\/p>\r\n    <\/div>\r\n<\/div>\r\n\r\n\r\n<div class=\"article\">\r\n    <a href=\"http:\/\/www.aibr.org\/antropologia\/netesp\/\" target=\"_blank\" rel=\"noopener\">\r\n        <img decoding=\"async\" src=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/images\/wcaa\/dejalu\/aibr.gif\" alt=\"\" \/>\r\n    <\/a>\r\n\r\n    <div class=\"abstract-expand article-content\">\r\n        <p>Ferr\u00e1ndez, Luis Fernando Angosto (2012). The Omnivorous Science: Jean and John Comaroff on the Politics of Anthropology, Capitalism and Contemporary States. <a href=\"http:\/\/www.aibr.org\/antropologia\/netesp\/\" target=\"_blank\" rel=\"noopener\">AIBR Revista de Antropolog\u00eda Iberoamericana<\/a>, Vol. 7 (3), pp.271 \u2013 296.<\/p>\r\n        <p class=\"keywords\">Keywords: Jean Comaroff, John Comaroff, Culture, Omnivorous science<\/p>\r\n\r\n        <div class=\"article-menu\">\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"article abstracts\">\r\n                <button data-target=\"#ferrandez\" class=\"btn btn-default\" data-toggle=\"collapse\" aria-haspopup=\"true\" aria-expanded=\"false\">Abstract <i class=\"fas fa-caret-down\"><\/i><\/button>\r\n\r\n                <a href=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/downloads\/wcaa\/dejalu\/feb_2014\/comaroff_esp.pdf\" lang=\"es\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">PDF (Espanol)<i class=\"far fa-file-pdf\"><\/i><\/a> <a href=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/downloads\/wcaa\/dejalu\/feb_2014\/comaroff_en.pdf\" lang=\"es\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">PDF (EN)<i class=\"far fa-file-pdf\"><\/i><\/a>\r\n            <\/div>\r\n        <\/div>\r\n\r\n        <p class=\"panel-collapse collapse\" id=\"ferrandez\" lang=\"en\">Few social scientists reach the status of contemporary classics. Jean and John Comaroff are among those who could be included in that category. Their current work is indeed on the crest of the wave of social analysis, but at least since the 1980s it has been followed, debated and also challenged within the field of anthropology. Beyond this disciplinary area, their work has resonated and continues to resonate in the spheres of sociology, politics and legal studies, in a clear demonstration of the strength and the potential of anthropological knowledge when it engages the \u2018big issues\u2019. It is only a part of the written production of John and Jean Comaroff that has been translated into Spanish, but contemporary Spanish and Latin American anthropologists are familiar with many of their theoretical proposals. Here is an op\u00adportunity to gain insight into these proposals and into the views of the Comaroffs on the politics of anthropology, capitalism and contemporary states. This interview was conducted in Sydney (Australia) on 08 May 2012. I should like to thank Jeremy Beckett for comments on the interview transcript.<\/p>\r\n    <\/div>\r\n<\/div>\r\n\r\n\r\n<div class=\"article\">\r\n    <a href=\"http:\/\/www.lcdpu.fr\/livre\/?GCOI=27000100124200\" target=\"_blank\" rel=\"noopener\">\r\n        <img decoding=\"async\" src=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/images\/wcaa\/dejalu\/le_journ.jpg\" alt=\"Le Journal des anthropologues\" \/>\r\n    <\/a>\r\n\r\n    <div class=\"abstract-expand article-content\">\r\n        <p lang=\"fr\">Gourarier, M\u00e9lanie. 2011, \"N\u00e9gocier le genre? Une ethnologue dans une soci\u00e9t\u00e9 d\u2019hommes apprentis s\u00e9ducteurs (Negotiating Gender? An Ethnologist Works Embedded in a Society of Men Apprenticing Seduction).\"\u00a0<a href=\"http:\/\/www.lcdpu.fr\/livre\/?GCOI=27000100124200\" target=\"_blank\" rel=\"noopener\">Le Journal des anthropologues<\/a> n\u00b0124-125, p.159-178.<\/p>\r\n        <p class=\"keywords\">Keywords: sex\/gender, reflexivity, masculinity, negotiation, field, seduction<\/p>\r\n\r\n        <div class=\"article-menu\">\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"article abstracts\">\r\n                <button data-target=\"#gourarier\" class=\"btn btn-default\" data-toggle=\"collapse\" aria-haspopup=\"true\" aria-expanded=\"false\">Abstract <i class=\"fas fa-caret-down\"><\/i><\/button>\r\n            <\/div>\r\n\r\n            <div class=\"btn-group\" role=\"group\" aria-label=\"Article links and documents\">\r\n                <a href=\"https:\/\/anthropological.cloud\/wau\/wcaa\/archive\/downloads\/wcaa\/dejalu\/translations\/gouariertraduction_en.pdf\" target=\"_blank\" class=\"btn btn-default\" rel=\"noopener\">PDF <i class=\"far fa-file-pdf\"><\/i><\/a>\r\n            <\/div>\r\n        <\/div>\r\n\r\n        <p class=\"panel-collapse collapse\" id=\"gourarier\" lang=\"en\">A young woman researcher had particular experience while conducting a study on an exclusively male population. Starting from there, the article questions the functions of the gender assignments endowed upon the researcher during her study, in order to fully integrate them into the process of understanding the data. The reflexivity analysis done concerning the researcher\u2019s working path in the field hence allows approaching the upward hierarchic mobility system based on the progressive acquisition of \u201cmale skills,\u201d a system which has structured the career path of the individuals within the reference group. In such a context, where gender identity is constructed, assignments to which the researcher is confronted depending on his or her gender make room for negotiation and proper organization of the study.<\/p>\r\n    <\/div>\r\n<\/div><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0875bde elementor-widget elementor-widget-spacer\" data-id=\"0875bde\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>D\u00e9j\u00e0 Lu View all Issues<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1205,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1313","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/waunet.org\/wcaa\/wp-json\/wp\/v2\/pages\/1313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/waunet.org\/wcaa\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/waunet.org\/wcaa\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/waunet.org\/wcaa\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/waunet.org\/wcaa\/wp-json\/wp\/v2\/comments?post=1313"}],"version-history":[{"count":0,"href":"https:\/\/waunet.org\/wcaa\/wp-json\/wp\/v2\/pages\/1313\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/waunet.org\/wcaa\/wp-json\/wp\/v2\/pages\/1205"}],"wp:attachment":[{"href":"https:\/\/waunet.org\/wcaa\/wp-json\/wp\/v2\/media?parent=1313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}